News

A few bits of news: I've been commissioned by the wonderful Psappha to write a 6-piece ensemble work for their 25th anniversary season, to be performed at Manchester's St Michael's in early 2017. Psappha have previously performed my Enmîmés sont les gougebosqueux on two occasions. I'm grateful to the Britten-Pears Foundation and the Ernst von Siemens Muzikstiftung for supporting the commission. I'll be...

The London Sinfonietta are putting on a night of live music and film on the 9 February at the Southwark Playhouse as part of their week-long residency there. On the 9th, their principal violinist Jonathan Morton will give his third performance of my Études Nos. 3 & 4 for solo violin, to be accompanied by a new film made by...

The BBC Philharmonic Orchestra are in their studios in Manchester next week recording my new piece Sonnet Machine for radio broadcast, conducted by Andrew Gourlay. It will first be first heard in concert on the 23 April at Manchester's Bridgewater Hall, alongside Prokofiev's Romeo & Juliet and other new pieces by Nina Whiteman, Aaron Parker, Chiu-Yu Chou and Daniel Kidane. Tickets...

Darragh Morgan and Mary Dullea will give the London premiere of Limp at a concert of (mostly) British music at The Forge on Monday 7 December. The concert will also include world premieres by James Weeks, Roger Redgate, Emily Howard and Charlotte Bray, and repeat performances of music by Michael Hersch and Ryan Latimer. As two thirds of the Fidelio...

'Encounters with British Composers', a new book by Andrew Palmer, contains interviews with around 40 British composers on how they work, how they live, and what, if anything, 'British music' is. There's an interview with me from about 18 months ago inside (that's me second from the left on the bottom row of the cover), alongside interviews with many more...

Later this month I am spending a week at LOD Muziektheater in Ghent, Belgium, at an opera-writing course called 'Looking Forward/Looking Back'. It's being run by the ENOA network of European opera academies, and led by playwright Martin Crimp. This is the second opera workshop I've attended with Martin, after a week with ENOA last year at the Festival d'Aix-en-Provence. Also...

I have been commissioned by London Sinfonietta to write a new piece for 15-piece chamber orchestra, to be performed by the Sinfonietta conducted by Martyn Brabbins at St John's Smith Square on 1 June 2016. The concert is programmed around the world premiere of Harrison Birtwistle's Duets in a Frame, and also features Francisco Coll's Liquid Symmetries and Tansy Davies' Falling...

The score for my Four Perpetual Motions for ten players is now on sale from Faber Music. I'm very grateful to the estate of László Moholy-Nagy for allowing me to use his wonderful painting Komposition A XXI on the cover. The piece was commissioned by the Royal Philharmonic Society and first performed by members of the Philharmonia Orchestra conducted by Rüdiger...

The Aldeburgh Festival is happening this month, and my new orchestral song cycle will be premiered on the 13 June by soprano Claire Booth with the Mahler Chamber Orchestra conducted by George Benjamin. For Beautiful Caged Thing, commissioned by the festival, I have extracted lines and phrases from Oscar Wilde's The Picture of Dorian Gray and arranged them to form three...